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Bubba Patrickin the Holler
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Bubba Patrick & Darlene · featuring The Holler Shakers

New from the Holler

New stories. Close harmonies. A little gospel soul. Come hear what’s growing on the porch.

The Truth You Left Us — A Tribute to Merle Haggard. An acoustic guitar beside an empty chair on a lantern-lit mountain porch.

Featured original tribute

The Truth You Left Us

A thank-you to Merle Haggard for the honest stories and dignity he brought to country music. Our own words, our own song, and our Holler sound.

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One at a Time — The Holler Signature Roll Call cover artwork

Signature showcase

One at a Time — The Holler Signature Roll Call

Spoken introductions and a band that builds one instrument at a time.

Lyrics & arrangement
[Spoken intro: Bubba, male, no music]
Every sound has a doorway.
We're gonna open 'em one at a time.
This here's the Holler Roll-Up.

[Pause, then Section 1: 4/4, G6-Em7-Cadd9-D7]
[First complete progression: acoustic guitar ALONE, G-B-D-E-D-B]
[Second complete progression: add slap upright bass ONLY]
[Spoken Bubba over quiet guitar and bass]
Come on in, piano.
[Piano joins with answering phrase; one full loop]
[Verse 1: Bubba]
One little guitar by the screen door,
One wooden chair upon the floor,
A bass comes walking up the pathway,
Piano finds an open door.
We ain't in a hurry to get somewhere,
Let every little sound come through;
There's a place beside this porch rail
For a worn-out soul like you.

[Spoken Bubba]
Bring that banjo up here.
[Banjo joins alone as new layer, four bars]
[Spoken Darlene, unmistakably female]
And a little fiddle.
[Fiddle joins, answers A-B-D-C-B-G, four bars]
[Short duet refrain]
One at a time, let the music grow,
One more friend with a tale to show.
Every road and every rhyme,
Build this Holler one at a time.

[Band softens; spoken Bubba]
Now feel that Holler Heartbeat.
[Pause; pivot B7 into E]
[Section 2: E7-G6-A7-B7, two full instrumental passes]
[Existing acoustic/bass/piano/banjo/fiddle settle into gritty 4/4]
[First pass: octave harmonica joins, call E-G-A-B]
[Second pass: tenor sax joins, answer B-A-G-E]
[Verse 2: Bubba]
Hear that harmonica calling,
Hear that saxophone reply,
There's a little dust from Georgia
In the notes that wander by.
Every heart has got a story,
Every scar has got a name;
We can bring our different voices,
We don't have to sound the same.

[Quiet held E; spoken Darlene]
Here comes the Porch Light Rise.
[Pause]
[Section 3: Eadd9-C#m7-Aadd9-Bsus4-B7]
[Two full instrumental passes, piano leads, other instruments restrained]
[Piano G#-B-C#-E-B; fiddle answers C#-B-G#-F#-E]
[Verse 3: Darlene]
Let that light climb through the window,
Let that evening loosen up;
There's a song inside the silence,
There's a little in your cup.
We can set our burdens down here,
We can let the daylight fade;
Leave a chair beside the doorway,
Leave some room for grace.

[Spoken Bubba, music stops]
Everybody! Holler Stomp and Clap!
[Pause]
[Section 4: boots enter on beats 1 and 3, four bars]
[Add human claps on 2 and 4, four bars]
[Add drum kit, four bars; then earlier instruments rejoin]
[Call and response]
[Bubba] Who brought the heartbeat?
[Darlene] Everybody here!
[Bubba] Who brought a story?
[Darlene] Pull your chair up near!
[Duet]
Stomp for the road that brought us,
Clap for another day;
Leave a little kindness
Everywhere we play.

[Band settles, spoken Darlene]
Now follow that Holler Lantern Turn.
[Pause; change to swaying 6/8, key G]
[Section 5: G6|Bbmaj7|Cadd9|Cm6|G/D|E7|A7-D7|G6]
[Two complete eight-bar instrumental passes; one bar each except A7/D7 share bar seven]
[First pass: piano motif B-D-E / D-Bb-A / G-E-D / Eb-D-C / B-A-G; harmonica answers]
[Second pass: Hammond B3 enters for first time, then wordless gospel harmonies enter]
[Bridge: duet]
There's a little blue inside the golden,
There's a bend beyond the stone;
We don't have to see the whole road
To be headed toward a home.
Hear the major turn to minor,
Hear the ache come shining through;
Then the lantern in the window
Brings us back to something true.

[Final chorus: whole Holler Shakers band and gospel harmonies; 6/8 Lantern Turn]
One at a time, let the music grow,
Every little spark makes a mighty glow.
From a single string to a porch alive,
There's a welcome here when you arrive.
One at a time, every voice belongs,
All these roads in a single song.
Leave that lantern burning bright,
The whole Holler's coming home tonight.

[Spoken Bubba over final instrumental]
Bubba Patrick and Darlene, with the Holler Shakers.
Like ninety going North!
[Final G6, brief silence, one dry banjo pluck; clean natural ending]
Leave a Little Room — The Holler Open Door Turn cover artwork

Signature showcase

Leave a Little Room — The Holler Open Door Turn

The new Open Door Turn joins the Holler lineup in a spoken musical tour.

Lyrics & arrangement
[Spoken introduction: Bubba, warm conversational male, no singing, no music]
Hey folks, Bubba Patrick here with Darlene and the Holler Shakers.
We've been building a sound of our own, right here in the Holler.
Today we're putting all our signature chord progressions together so you can hear each one.
We've even got a new addition: the Holler Open Door Turn.
Darlene, tell 'em how we're gonna do it.

[Spoken Darlene, clearly female]
We'll say each name, then let the music do the talking.
You'll hear the Roll-Up, the Heartbeat, the Porch Light Rise,
our Stomp and Clap rhythm, the Lantern Turn, and our new Open Door Turn.
One at a time, until the whole band's in.

[Spoken Bubba]
All right, folks. Here they are.
First up: the Holler Roll-Up.

[Pause; solo acoustic: G6-Em7-Cadd9-D7, one full loop]
[Repeat loop, slap upright bass enters]
[Verse 1: Bubba]
I had every chair pushed under,
Every picture hanging straight;
Had tomorrow on a paper,
Had a lock upon the gate.
Then a tune came through the screen door,
Didn't knock or give its name;
I laid down my list of worries,
Pulled a chair up just the same.

[Spoken Bubba]
Come on, piano.
[Piano joins, four bars]
[Spoken Darlene]
Bring that banjo. Now the fiddle.
[Banjo enters four bars; fiddle enters next four bars]
[Duet refrain]
Leave a little room for the morning,
Leave a little room in your song;
You don't have to know who's coming
To make somebody feel they belong.

[Band softens; spoken Bubba]
Now feel that Holler Heartbeat.
[Pause; B7 pivot into E]
[Instrumental E7-G6-A7-B7 twice; harmonica joins first, sax second; E-G-A-B/B-A-G-E]
[Verse 2: Bubba]
There's a crack across the doorstep
Where the summer rain gets through;
There's a note that bends a little,
But it tells a story true.
I was busy fixing shadows,
Trying to nail down every sound;
Till that bass got good and walking,
And my shoulders settled down.

[Spoken Darlene over held E]
Here comes the Porch Light Rise.
[Pause; piano Eadd9-C#m7-Aadd9-Bsus4-B7, two loops]
[Verse 3: Darlene]
You can bring your dusty jacket,
You can bring your tired hands;
We can share a quiet minute
Without making any plans.
Let the light fall on the table,
Let the evening take its time;
There's enough of grace to go round,
You don't have to borrow mine.

[Spoken Bubba; stop band]
Everybody! Holler Stomp and Clap!
[Pause; boots on 1 and 3; add claps on 2 and 4; add drums; four bars each]
[Bubba, sung] Got another chair?
[Darlene, sung] Pull it over here!
[Bubba, sung] Got another story?
[Darlene, sung] We got time to hear!
[Duet]
Leave a little room for the morning,
Leave a little room in your song;
You don't have to know who's coming
To make somebody feel they belong.

[Band quiets; spoken Darlene]
Now follow that Holler Lantern Turn.
[Pause; swaying 6/8]
[Instrumental G6|Bbmaj7|Cadd9|Cm6|G/D|E7|A7-D7|G6]
[Piano B-D-E / D-Bb-A / G-E-D / Eb-D-C / B-A-G; harmonica answers]
[Bridge: tender duet]
When the gold turns blue a moment,
Let the little shadow stay;
Even roads we never pictured
Have a way of finding day.
There's a bend beyond the mailbox,
There's a light beyond the pine;
I can leave tomorrow waiting,
I can let this breath be mine.

[Resolve G6; silence]
[Spoken Bubba, warm and clear]
Here's a brand-new one.
The Holler Open Door Turn.
[Pause; change to relaxed 4/4]
[NEW SIGNATURE: Gadd9|D/F#|Fmaj7|C/E|Ebmaj7|G/D|A7-Cm6|G6]
[One bar per chord; split seventh bar A7 then Cm6]
[First complete eight-bar loop: exposed piano and descending bass G-F#-F-E-Eb-D, then A-C-G]
[Piano top melody A-A-A-G-G-G-F#-Eb-E; harmonica answers final Eb-E]
[Second full eight-bar loop: Hammond B3 enters, gospel harmonies join softly; sax answers piano]
[Verse 4: Bubba then Darlene, on new progression]
[Bubba]
Hear that bass walk down the mountain,
Hear that last note lift its head;
I was counting all the endings,
Found an open door instead.
[Darlene]
Let the unexpected enter,
Let the old floor find a groove;
You can stand here in the doorway,
Or come on in and let it move.

[Final chorus: full band, new Open Door Turn repeated]
Leave a little room for the morning,
Leave a little room in your song;
You don't have to know who's coming
To make somebody feel they belong.
Let the piano tell the story,
Let that low bass walk the floor;
Every turn can bring us somewhere,
Leave a little room for one more.

[Instrumental: new eight-bar Open Door Turn once more, joyful whole band]
[Spoken Bubba]
That's the Holler Open Door Turn.
[Darlene]
Leave a chair for what comes next.
[Duet, sung]
Leave a little room for one more.
[Final G6, breathe, one dry banjo pluck, clean ending]
Let a Little Sky Come In cover artwork

New signature

Let a Little Sky Come In

A little daylight, a fresh start, and the new Holler Skylight chord.

Lyrics & arrangement
[Spoken intro: Bubba, male, no music]
Here's a new color for the Holler.
We're calling it the Holler Skylight.
Let that piano open it up.

[Exposed piano: Cmaj9(#11)/G, low G-C-E-B-D-F#; let ring]
[Keep low G; high F# rises to G, resolve G6]
[Acoustic guitar enters, then soft slap upright bass]
[Verse 1: Bubba]
There's a square of morning on the kitchen floor,
I never saw it sitting there before.
Same old window, same old wooden chair,
But I finally had a minute I could spare.
Coffee cooling, dog beside my feet,
Nothing on the road but an empty street.
I quit asking what the day might bring,
Heard a little daylight in a piano string.

[Pre-chorus: Darlene joins]
One note hanging like a question in the air,
One note saying there's a little something there.

[Chorus: duet; G6|D/F#|Em9|Cmaj9(#11)/G|Am7|D7sus4-D7|G6|G6]
Let a little sky come in,
Lift the latch and let the morning begin.
There's a place above the worry,
There's a breath before the hurry.
I don't have to hold the whole world tight,
I can leave a little window for the light.
Right here where I've always been,
Let a little sky come in.

[Piano turnaround: new Skylight chord rings; F# rises to G]
[Verse 2: Darlene]
There's a crooked fence behind the garden gate,
And a rose that never learned to blossom straight.
Still it climbs whatever gets in its way,
Still it finds a little sunshine every day.
I had plans stacked higher than the shelf,
Had a hundred things to prove about myself.
Now I'm listening while the blackbird sings,
Making room for unexpected things.

[Pre-chorus: Bubba answers]
One note leaning where I thought it couldn't go,
One note finding something I didn't know.

[Chorus: duet]
Let a little sky come in,
Lift the latch and let the morning begin.
There's a place above the worry,
There's a breath before the hurry.
I don't have to hold the whole world tight,
I can leave a little window for the light.
Right here where I've always been,
Let a little sky come in.

[Instrumental: piano leads chorus loop; harmonica answers, then tenor sax; banjo and fiddle add warmth]
[Bridge: drop to piano and bass]
[Bubba, sung]
I used to think a song was done
When every note was settled down.
[Darlene, sung]
Then you left that one note reaching,
And a little more sky came round.
[Duet]
Keep the roots down in the red clay,
Let the branches find the blue;
We can sound just like the Holler
And find something we never knew.

[Spoken Bubba]
There's that Holler Skylight.
[Exposed Cmaj9(#11)/G sustained two bars; piano top B-D-F#, harmonica answers F#-G; resolve G6]
[Hammond B3 enters softly, full band builds]

[Final chorus: soaring duet, gospel harmonies]
Let a little sky come in,
Lift the latch and let the morning begin.
There's a place above the worry,
There's a breath before the hurry.
I don't have to hold the whole world tight,
I can leave a little window for the light.
Right here where I've always been,
Let a little sky come in.

[Outro: duet, gently]
Same old porch and a brand-new wind,
Let a little sky come in.
[Piano Skylight voicing rings, upper F# resolves G over G6; one soft banjo pluck; natural ending]
There's a Place Beside Me cover artwork

For everyone

There's a Place Beside Me

A welcoming country-soul song about making room for someone, at any age.

Lyrics & arrangement
[Intro: acoustic guitar and bright piano, bass joins]
[Verse 1: Bubba]
You can draw a house with a purple roof,
Put a crooked chimney on;
You can take the long way round the block
With your favorite jacket on.
You can need a hand with a stubborn jar,
Or a word you cannot spell;
There's a place beside me on this bench,
You don't have to do it well.

[Chorus: Bubba and Darlene]
There's a place beside me,
There's a little room right here;
Bring your laugh, bring your questions,
Bring the day you've had, my dear.
You can talk or watch the clouds go,
You can stay a little while;
There's a place beside me,
And you don't have to earn a smile.

[Verse 2: Darlene]
Somebody's learning how to tie a shoe,
Somebody's starting over late;
Somebody's counting birthday candles,
Somebody's running through the gate.
We all know what a closed door sounds like,
What an empty chair can say;
So I'll scoot a little closer to the end
And make some room today.

[Chorus: duet]
There's a place beside me,
There's a little room right here;
Bring your laugh, bring your questions,
Bring the day you've had, my dear.
You can talk or watch the clouds go,
You can stay a little while;
There's a place beside me,
And you don't have to earn a smile.

[Instrumental: playful piano, harmonica answers, fiddle joins]
[Bridge: tender duet, Skylight chord rings then resolves]
[Bubba]
We don't have to have the same shoes.
[Darlene]
We don't have to know the same song.
[Duet]
If you hear me miss a note,
You can help me sing along.
A little space, a little patience,
That's a start that we can make;
Sometimes all a welcome needs
Is one small step to take.

[Final chorus: full live band, warm group harmonies]
There's a place beside me,
There's a little room right here;
Bring your laugh, bring your questions,
Bring the day you've had, my dear.
You can talk or watch the clouds go,
You can stay a little while;
There's a place beside me,
And you don't have to earn a smile.

[Outro: acoustic and piano]
[Bubba]
I'll move my coat.
[Darlene]
Come sit a spell.
[Duet, sung]
There's a place beside me.
You are welcome here as well.
[Resolved G6, clean ending]
The Kitchen Light Was On cover artwork

Gospel

The Kitchen Light Was On

A fictional kitchen-table story of prayer, repentance, forgiveness, and grace through Jesus.

Lyrics & arrangement
[Intro: quiet piano, acoustic guitar, soft harmonica]
[Verse 1: Bubba]
I stood beside a sink of dishes,
Trying to find a prayer;
Had a thousand polished sentences,
But none would meet me there.
So I said, Lord, I've been stubborn,
And I've hurt the ones I love;
Then I turned the running water off
And quit dressing sorrow up.

[Chorus: Bubba, Darlene joins]
The kitchen light was on,
And Your mercy met me there;
Not because I found the perfect words,
But because You heard my prayer.
Jesus, You have made a way
I could never make alone;
I was standing in my own house,
But Your grace was bringing me home.

[Verse 2: Darlene]
There were things I couldn't undo,
Names I needed to call;
An apology upon my tongue
I had swallowed every fall.
Lord, forgiveness isn't easy
When my pride still wants to speak;
But the Savior who went to the cross
Has been patient here with me.

[Chorus: duet]
The kitchen light was on,
And Your mercy met me there;
Not because I found the perfect words,
But because You heard my prayer.
Jesus, You have made a way
I could never make alone;
I was standing in my own house,
But Your grace was bringing me home.

[Instrumental: gospel piano, harmonica and sax answer]
[Bridge: Lantern Turn, building B3]
[Bubba]
You carried sin to Calvary.
[Darlene]
You rose and broke the grave.
[Duet]
I cannot buy the love You give
Or work my way to saved.
So teach these hands to serve someone,
Teach this mouth to tell what's true;
Let the life I live on Monday
Say that I belong to You.

[Verse 3: Bubba, quietly]
I dried a plate and made some coffee,
Set another cup nearby;
Called the one I'd kept on blaming,
Didn't give my reasons why.
Just said, I was wrong, forgive me,
Then I listened for a while;
Nothing shook the kitchen window,
But I laid my weapons down.

[Final chorus: duet and gospel choir, full warm band]
The kitchen light was on,
And Your mercy met me there;
Not because I found the perfect words,
But because You heard my prayer.
Jesus, You have made a way
I could never make alone;
I was standing in my own house,
But Your grace was bringing me home.

[Outro: soft duet]
In the ordinary morning,
In the work these hands can do,
Let the light that fills this kitchen
Shine a little more like You.
[Soft choir]
Amen.
[Skylight piano chord, top F# rises to G, resolved G6, clean ending]
Side by Side Inside the Song cover artwork

Harmony duet

Side by Side Inside the Song

Written for Bubba’s male voice and Darlene’s female voice to sing together throughout.

Lyrics & arrangement
[Short instrumental introduction: soft piano and fingerpicked acoustic]
[Performance rule: EVERY sung line is simultaneous male-female duet, Bubba male lower melody and Darlene female upper harmony; no solos]

[Verse 1: both together in close harmony]
Put your cup beside my coffee,
Pull your chair a little near;
There's a tune beneath the talking
That gets sweeter when you're here.
We don't need a perfect morning,
We don't need a cloudless sky;
When your voice comes in beside me,
Even ordinary shines.

[Chorus: both together, clear thirds and sixths]
Side by side inside the song,
Two clear voices, one place to belong.
You keep yours and I'll keep mine,
Hear them meet between the lines.
When the day has been a long one,
When the words are hard to find,
We can take another breath together,
Let our hearts fall into time.

[Instrumental: piano answers melody, soft harmonica]
[Verse 2: both together throughout]
There's a window full of evening,
There's a dishcloth on the chair;
There's a thousand little kindnesses
That say somebody cares.
You can hear it in the laughter,
You can hear it when we're still;
Love is more than big occasions,
It's the small things that we will.

[Chorus: both together, balanced male and female]
Side by side inside the song,
Two clear voices, one place to belong.
You keep yours and I'll keep mine,
Hear them meet between the lines.
When the day has been a long one,
When the words are hard to find,
We can take another breath together,
Let our hearts fall into time.

[Instrumental: fiddle and piano, gentle upright bass; no vocal solos]
[Bridge: both together, tender sustained harmony; Skylight chord resolves G6]
We won't always know the answer,
We won't always find the rhyme;
But a little room for listening
Keeps a little room for light.
If the melody goes wandering,
We can give it room to roam;
There's a note beneath the distance
That can guide the other home.

[Final chorus: both together, B3 gently joins, voices remain equally clear]
Side by side inside the song,
Two clear voices, one place to belong.
You keep yours and I'll keep mine,
Hear them meet between the lines.
When the day has been a long one,
When the words are hard to find,
We can take another breath together,
Let our hearts fall into time.

[Outro: strip to acoustic and piano, simultaneous male-female harmony]
One more breath and one more morning,
One more reason to be kind.
Side by side inside the song,
Your clear voice right here with mine.
[Hold final two-part harmony, resolve G6; clean ending]
The Truth You Left Us — A Tribute to Merle Haggard cover artwork

Featured tribute

The Truth You Left Us — A Tribute to Merle Haggard

An original thank-you to Merle Haggard’s honest storytelling, played with our Holler sound.

Lyrics & arrangement
[Intro: honky-tonk piano, acoustic guitar, slap bass; fiddle answers]
[Spoken Bubba, warm natural male]
This one's for Merle Haggard.
From Bubba Patrick, Darlene, and the Holler Shakers.
Thank you for leaving room for the truth.

[Verse 1: Bubba]
Some folks write about the mountain
From a window miles away;
You could put us on the shoulder
Where the gravel meets the clay.
Let a tired man keep his dignity,
Let a wrong turn leave a mark;
Never had to paint the daylight
To admit there'd been some dark.

[Chorus: Bubba and clearly female Darlene, close harmony]
Here's to the truth you left us,
Here's to the weight of a line;
To the folks who work through a hard week
And the ones still doing their time.
We'll bring a little Georgia
To the road your stories made;
Merle, we're singing our own song,
With a thank-you in the way it's played.

[Piano turnaround; steel and harmonica answer]
[Verse 2: Bubba]
There's a woman locking up the diner,
There's a driver headed east;
There's a man who needs a second chance
And a quiet hour of peace.
You could make a room grow quiet
When the band had settled down;
Let a life stand in the middle
Without dressing up its sound.

[Chorus: full male-female duet]
Here's to the truth you left us,
Here's to the weight of a line;
To the folks who work through a hard week
And the ones still doing their time.
We'll bring a little Georgia
To the road your stories made;
Merle, we're singing our own song,
With a thank-you in the way it's played.

[Instrumental: E7-G6-A7-B7 Holler Heartbeat; piano and harmonica call E-G-A-B, sax answers B-A-G-E; D7 pivot G]
[Bridge: tender duet, Lantern Turn progression]
We can't borrow anybody's footsteps,
Every pair of boots must fit;
But we can learn to tell it plainly,
Keep the heart of it.
Leave a little room for mercy,
Leave the rough grain in the wood;
Let a song admit the trouble
And still look around for good.

[Verse 3: both together in close harmony]
So tonight here in the Holler,
There's a chair beside the band;
Not to claim we knew your journey,
But to say we understand
How a voice can give a stranger
Words he couldn't find alone;
We'll keep listening to the people
And put the lives we know in song.

[Final chorus: duet and restrained gospel harmonies, full band]
Here's to the truth you left us,
Here's to the weight of a line;
To the folks who work through a hard week
And the ones still doing their time.
We'll bring a little Georgia
To the road your stories made;
Merle, we're singing our own song,
With a thank-you in the way it's played.

[Outro: piano, acoustic, soft steel]
[Duet]
Let the story have its rough edges,
Let the heart come shining through.
From our porch across the mountains,
Merle, this one's for you.
[Skylight piano chord Cmaj9(#11)/G, top F# resolves G, warm final G6 and dry banjo pluck; natural ending]

Two new colors in the Holler lineup

The Holler Open Door Turn

A descending bass walk leads through unexpected colors and comes home.

Gadd9 → D/F♯ → Fmaj7 → C/E → E♭maj7 → G/D → A7 → Cm6 → G6

The Holler Skylight

Cmaj9(♯11)/G, voiced G–C–E–B–D–F♯. Hold the low G and let the top F♯ rise to G as the music settles into G6.

These are our named musical signatures, built from familiar musical materials. The recordings are generated interpretations of the written arrangements.